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It’s a kind of magic…

I have heard so many times the word magic during my stays in Marche and Umbria, magic meaning a peculiar characteristic, uniqueness of the Sibillini territory. This peculiarity was highlighted during Concita De Gregorio’s interviews to the “Women of the Sibillini” too. Most of the women’s answers on the meaning of “home” and “future” after the earthquake, were connected in an essential way to the territory women belong to. I, as an external “character” and not involved in that specific place, started thinking about this topic. I asked  myself “what would I tell a tourist to convince him/her to visit these places?”

Concita De Gregorio interviewing Donne dei Sibillini

 

 

 

 

 

 

 

 

I thought about it for a short time but. As I tend to base my  judgments on parameters as much objective as possible, the word magic has begun to be unconvincing. To be more precise I do not think that only “magic” can define a place. Defining a place as magical is an emotional and subjective criterion, what is magical for me may not be for others. So I started looking for the meaning of “magical”:

“In general, practice and form of esoteric and initiatory knowledge that presents itself as capable of controlling the forces of nature; in various cultures and in different historical periods, it has been object of opposite evaluations, now considered a form of superior knowledge, now rejected as imposture and condemned by civil and religious authorities.

“Capable of controlling  the forces of nature …” No, it’s not, in that territory still destroyed by earthquake, I would say no, it is not magic. So what is it? I tried with sublime. The dynamically sublime is “nature considered in an aesthetic judgment as might that has no dominion over us”. We are getting closer but not enough.

The relationship between Nature and Man

In both cases it is clear that we are not talking about Nature and Man (human being) only but we focus on the relationship between Human Being  and Nature. On one hand, Human Being aspires to the control of Nature with magical arts, on the other he/she is fascinated and overwhelmed by Nature

Perhaps we have taken a step forward, no, better say a step backward and I wonder (and I ask you) “Why, the Sibillini and not the Dolomiti? Just an example” What are the criteria for my  choosing a mountain or another? I mean, as a normal person, I am not a climber. I’m returning to subjectivity but based on reasoning and not on emotion only. The difference is therefore made by the human being and his/her relationship with nature. Let’s try to make a hard and simple evaluation: both mountain ranges have spectacular landscapes. The softer and more rounded Sibillini, the more impressive Dolomiti. Their differentiation is based, for me (subjective), in their colors.

Colors

Very bright colors (the red of the poppies seems redder) and the ocher in the Sibillini at the end of the summer (an American friend seeing a photo said “The Golden State”!).  In the Dolomiti, in addition to the rock, many shades of green.

 

The Golden State
Dolomiti Brenta

 

Harmony

In addition to the landscapes, however, I expect something else.  Now we are entering the field of what can be offered combining interaction between Human Being and Nature. In other words, what other services are available for me “tourist by chance” ? Please, let’s skip excellent food . In Italy you can never eat badly, you have to put a certain amount of effort into it … From my point of view  (subjectivity, again …) it is the harmony between the urban fabric and the environment. In these two photos you can see two examples of what I like: the version of “a fairy tale” of human intervention on the landscape and Art that blends with nature as in Arte Sella.

The Gingerbread House
Arte Sella

 

 

 

 

 

 

 

In the end the difference between choosing one mountain or the other (or not choosing, as  I do happily, jumping around from one side to the other) is made by human beings living in those places and what they have been able to build as a relationship with other human beings of those places (let’s call them “neighbors”) and with Nature. And above all the tale, the experience, the stories of that urban and natural fabric. I have described the mountains. I live in the plains but also here, land of water and fog, the relationship between man and nature has a story to tell. What is your story? And please don’t tell me anything about magic!

Venetian Lagoon
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Stories: from Veneto to Sibillini

How did we get from Veneto to the Sibillini? And then back again? Are there any common aspects that connect those territories? For sure there are stories of people and territories

Visually absolutely nothing. The two regions (to be precise three: Veneto, Marche and Umbria) are different, take a look at these photos. The Dolomiti, although mountains, certainly do not resemble more ancient and gentle Sibillini. Our lagoon, our rivers are quite another thing … And yet, there are common things. These things are the stories, stories related to the territory and connected  to people.

Venice – the lagoon

 

fiume Sile

The first time we arrived at the very center of the earthquake area we were in Norcia, December 10, 2016. I can remember that date very well as from that date the stories of Progetto Re-Cycle and those of Local Guides (volunteers who update the maps in Google Maps) have started interacting. The LG are real people made of flesh and blood, not dematerialized beings or avatars. They use the “virtual” to give another reading of the “real”. Not everyone is so “philosophical” in giving this kind of reading, but I am

Our project Re-building was developed from the meeting with the LGs . Actually, we already had it in our mind but we did not know how to do it. Re-building is  the “construction” of a virtual memory safe, with geolocalized images on a shared map, of the areas hit by the earthquake. The map is in working progress, the beauty of this type of technology is that you can continue to develop and improve. From that moment it was natural to converge in the re-reading of the territories , not only the territories affected by the earthquake but  other areas in Veneto as well. Therefore we started to talk about it in the same words of the Manifesto of Progetto Re-Cycle “to start from what already exists to start new life cycles “.

King of the world

We recently returned, at the end of April 2018, in Umbria and Marche regions, in particular in Norcia and Bolognola (MC). The reconstruction, or at least a return to normal life, proceeds in a sort of patchwork style. Some things have been done, others are still to be done. The sense of  “Donne dei Sibillini, bellezza e dignità del territorio”  is to re-start, re-construct focusing both on the value of people, especially women, and territory that represent the great treasure of the area.

Near Bolognola
View of Fargno trail

From my point of view, even a little ‘business – like” if you want (it’s because of my work), only thinking about connecting the  “real” aspects of the territory with “virtual” aspects, we can start talking about real rediscovery, with a strong cultural substrate, of the territories and people (and companies) that live it. Here I’m starting to move into “business culture” …

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Re-Thinking Humans

Re-thinking Humans: si può arrivare al paradosso di ri-pensare, ri-progettare l’essere umano? La spinta continua verso l’innovazione tecnologica deve comunque poggiare su basi umanistiche? Oppure l’essere umano si sta “evolvendo” e si sta trasformando in “corpi da progetto”, dei cyborg? Sono ovviamente delle provocazioni per sollecitare delle domande.

Altered Carbon
Posizionamento della pila-Altered Carbon serie 1,episodio 1, min. 12.22

Il Quaderno 7 – Re-thinking humans. Il design nella progettazione del post-umano – è un quaderno quasi “fantascientifico”, troverete infatti alcuni esempi tratti da due note serie televisive: Black Mirror e Altered Carbon che offriranno uno spunto “narrativo” per osservare  “ l’ evoluzione della progettazione, in particolare delle tecnologie applicate al corpo umano e agli spazi antropocentrici, e di come i canali di intrattenimento popolare contribuiscono a trasmettere e formare un immaginario tecnologico attraverso la divulgazione di narrazioni distopiche”.

https://www.progettorecycle.org/en/quaderni/

Boccioni
U. Boccioni Visioni Simultanee

In un momento storico nel quale le tecnologie si sviluppano in tempi sempre più ridotti, impattando fortemente sulla nostra quotidianità, ci siamo fermati a riflettere sulle implicazioni che l’adozione delle tecnologie stesse comportano in termini sociali, biologici ed etici? In tutto questo, quale è il ruolo del designer e della progettazione? Vi è una relazione tra immaginario e design? Certamente sì, dato che ciò che è stato semplicemente immaginato in un’epoca è diventato reale in un periodo successivo

Bruno Munari - Aria/Terra
B. Munari – mostra Aria Terra Cittadella 2017

L’intento di questo Quaderno e della sua autrice Francesca Toso è di provocare un pensiero critico sulla relazione tra prodotto/oggetto, essere umano, spazio/ambiente e tempo riprendendo in alcuni punti il Manifesto di Progetto Re-Cycle in relazione all’ ottimizzazione dei cicli di vita, all’ innovazione tecnologica come ri-lettura del passato e alla storia delle innovazioni per ri-pensare il futuro.

Riciclo 

come opportunità per avviare nuovi cicli di vita partendo da ciò che già esiste

come strategia per ottimizzare giacimenti di risorse materiali e immateriali

come strumento per valorizzare repertori di saperi e competenze

come canale per aggregare professionisti, aziende e istituzioni

come approccio a nuovi modelli di produzione e consumo

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Mapping for Re-Building

Progetto Re-Building, l’attività di mapping per la creazione di una mappa condivisa di foto geolocalizzate delle aree colpite dal sisma, prosegue e si arricchisce di nuove foto della zona di Arquata del Tronto. Re-Building assume sempre più l’aspetto di “cassaforte della memoria”. Per molti luoghi l’unica cosa che potrà rimanere sarà la memoria: non è possibile ricostruire

 

esempio mappa
Castello Arquata del Tronto – mappa

La ricostruzione non è però solo una scelta architettonica ma riguarda anche l’identità di un luogo.

Spiegare qualcosa di immateriale è sempre molto difficile, solo andando nei posti, solo vedendo il rischio concreto di desertificazione umana si può comprendere cosa significhi il senso di appartenenza a un luogo e l’identificarsi con esso. Per chiarire ecco alcuni passaggi del Q6

[… ] Nella fase iniziale Re-Building era partito con l’obiettivo di contribuire alla ricostruzione anche in termini materiali/strutturali oltre che sviluppare una “cassaforte della memoria” virtuale e condivisa. Con il passare dei mesi e con la conoscenza sempre più approfondita dei territori colpiti dal sisma, la valenza che ha iniziato ad essere preponderante è stata quella della ricostruzione dell’identità dei luoghi, identità espressa in termini di valori condivisi siano essi storici, economici, naturali o culturali […]

[….] I punti di riferimento e di aggregazione sono venuti a mancare, le popolazioni sono in parte rimaste, in parte sono delocalizzate in altre aree. Se si fa un rapido giro nei Social ci si renderà conto che il poco di unione che ancora rimane è data proprio dalle immagini pre-sisma che sono condivise e commentate con i ricordi della popolazione. Il rischio di desertificazione umana, in particolare per i borghi più piccoli, è dietro l’angolo, vuoi per impossibilità di ricostruire (molti edifici si trovavano proprio sulla faglia ed è impensabile ricostruire) vuoi per le condizioni di disagio e isolamento di alcuni siti […]

Castelsantangelo sul Nera
Affreschi scoperti dopo il sisma

 

Re-Building e l’attività di mapping non si fermeranno a queste aree, vi sono altre aree nel mondo che hanno bisogno di rimanere vive almeno nella memoria.

Chiudiamo con Ungaretti che ci traghetterà da questa memoria di luoghi ad altre memorie su cui stiamo lavorando. Al prossimo post…

Di queste case
non è rimasto
che qualche
brandello di muro

Di tanti
che mi corrispondevano
non è rimasto
neppure tanto

Ma nel cuor
nessuna croce manca

È il mio cuore
il paese più straziato

 Castelsantangelo sul Nera
Rovine Castelsantangelo sul Nera

 

Si ringrazia The Habitual Tourist per le foto di Arquata del Tronto

Per maggiori informazioni sul progetto e su come inviarci foto

https://www.youtube.com/channel/UC_XKNml1QztUcV7m6CwTzSQ

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Mapping: Moby Dick in the woods

We were taking a short walk and taking pictures for the first phase of our project: mapping paths accessible for everyone. All of a sudden there it was! Better still, a shape that reminded me of him: Moby Dick, the white whale.

Mapping our world
Moby Dick in the woods

It was indeed a bit amazing to see such a shape along a path for pedestrians and it was amazing to find out a boat along a lonely track. Actually it shouldn’t be so strange, we were walking along a path close to Sile river, but it was unexpected.

mapping our world

By mapping our world we have found so many unexpected things in the past months. Unexpected relationships between Nature and human beings. What can you see in this picture? Look at it carefully, we have been told that most people see “ivy”

What is it? Plastic trying to destroy natural environment or Nature claiming for its place back? For us the second one. What is our relationship with Nature, is it a Mother or a Stepmother? Honestly we do not have any answer, it is a contrasting and contrasted relationship and as long as we proceed with our activities we have more questions than answers

In the areas of earthquake (Central Italy) where we have seen the effects of destruction it could be easy to say “Nature as stepmother” but it is not so obvious, Nature in that area is so beautiful and imposing that the only possible way for reconstruction is a new environment friendly pact between humans and Mother Nature.

We have been successful so far in our attempt of integrating culture and environmental education, culture and technology for mapping our world, driving, walking for finding out the “unexpected”.  However, the most successful aspect is our changing perspective in the way we see the world. We keep on mapping and telling stories, stay tuned.

For more details on “Nature”: Enchanted Nature. Dialogo tra arte e scienza. Esempi di umana resilienza

For more details on mapping: Da Mountain View ai monti italiani

I Quaderni will be translated into English shortly

For more details on Enchanted Nature. Pictures by Carla Bordini Bellandi   

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